Hollowbelly Manchester UK gig

OK I promised some more info on the Hollowbelly gig in Manchester so here's the official poster. The gig is held at the Cheshire Ring pub but the music venue is known as The Verge. You can buy tickets online, check out the website here. http://www.the-verge.co.uk/

This is his first Northern gig and should be a belter. If you haven't seen anything of this guy you should have a look at some of his videos and listen to some tracks. You can see his facebook here. http://www.myspace.com/hollowbelly

and you can see more of his stuff on Cigarbox Nation here http://www.cigarboxnation.com/profile/HOLLOWBELLY17?xg_source=profiles_memberList

Catfish Keith

Righto here's the lowdown on the Catfish Keith gig last night - simply brilliant. Just a small gig which was nice and intimate, I got to sit right in front of the stage. He played three guitars and a foot stomp box. Guitars were a National tricone reso, a small parlour style 6 stringer and a beautiful luthier built 12 stringer based on an old Stella. This guy can really play and his vocals are powerful and expressive. He's a great fingerpicker and slide player. If you love old style blues with a gospel flavour you'll love this guy. He's a really cool fella and easy to talk to. His musical influences come from the likes of Rev Gary Davis, Mississippi Fred Mcdowell, Jesse Mae Hemphill, Blind Willie Johnson, Leadbelly to name a few. That might give you an idea of his style of music. Very much a delta sound. Some of his numbers were quite mesmerising especially when he played the 12 stringer. He's touring the UK right now so why not check out his website and if he's appearing near you, go see him - you won't be disappointed.

http://www.catfishkeith.com/

life after Boxstock 2011

So I think I've finally come back down to earth (and the mundane) after a cracking weekend at West Brom and the UK cbg boxfest. What now, to stop me from topping myself every time I see the news or look at my ever-increasing bills? Well I understand plans are already underway for next years Boxstock so that's got to be good but it's a long way off yet.

Well Hollowbelly is doing a gig at the Verge (The Cheshire Ring) in Manchester on 26th November. My mate Mark C. is organising that one, I'll put the poster on here when he sends me the file so watch out for that. It's the first Northern gig HB will have done and coming originally from Warrington, it's something of a special event for him. Looks like being a popular gig so if you fancy it, get your tickets early. I'll give you details soon about booking.

Nearer to that in time (this week) and only a few miles down the road from me, Catfish Keith is appearing in a local wine bar. I've heard a lot of good things about this guy who is a superb slide player. Can't wait for that one, I'll let you know how it went later this week.

So what am I doing with my time now? Still making electronic stuff. I have a couple of those nand oscillator machines to make for friends so I'm part way on with those. No cbg making in the offing yet but the Boxfest did stir my enthusiasm for more playing and recording. Haven't done anything serious for months now and am raring to get experimenting again. I'd love to get something bluesy going on a cbg along with the oscillator drone box I made. Just need some time to get on with it. Got a busy month ahead with this 'n that but hope to find some time for music making. Be sure to call in here again for more news soon.

photos from boxstock 2011

Just a few snaps from the event.
Top -Tinqui8 performing at the evening gig.

Middle - Ben Prestage

Bottom - Chickenbone John checking out an old archtop

still hot from Boxstock

Yes I'm still coming down from the event. The evening gig exceeded all our expectations with an international line-up. Set in the theatre of The Public, the gig kicked off with a guitarist (Andy Bole aka The Interplanetary Music Collective) and the Khalgani Dancers (turkish belly dancers). CB John had pursuaded the lady who runs the dance troupe, who had been at the fest last year, to perform for free. Andy set the atmosphere fantastically with his guitar and turkish lute-type instrument with the use of looping pedal and an Ebow (if you don't know what that is, check it out. I want one now). The girls performed two mesmerising dances, all in sequence with each other and very tastefully done. What a cracking start to the evening.

Second on was Tinqui8 who had come all the way from France for the weekend. We were treated to an excellent performance from him last year and he was back for another. Hard to describe his particular blend of music, definitely has a bluesy feel but his slightly unusual open tunings have a sound that seems to be his. Check out his album - Old Riders Blues. He played cigar box guitar, a vintage Weissenborn, and on loan from one of our gang - a beautiful plastic bodied guitar reminiscent of the old Airline electric guitars. The guy that made it is called Sam North. He's made several now and they are amazing.

Next up, our very own Hollowbelly with his distinctive blend of music, he describes as punk-blues. Thrashing away at his cbg, kick drum, low-boy hi hat and singing, he's a veritable one-man powerhouse. Bluesbeaten Redshaw, who collaborated on HB's latest album, Punk Northern and Blue, accompanied him on washboard for one number. HB is our UK flagship for cbg performance and if you want to see him playing, he will be in the Manchester area in November. I'll be announcing the details nearer the time.

Finally our headline act was none other than Ben Prestage from the USA. Ben had been performing at the Tangiers Jazz festival and we managed to divert him to the UK for our gig. Looking like a true hillbilly he stunned us with his performance. Another one-man band, he played various guitars, foot operated drums and hi-hat, harmonica, cigar box fiddle, cigar box banjo and sang. He did an amusing job of introducing his "band" - playing each instrument in turn. This guy is one helluva talent and worth checking out if you don't know of him. His latest album is One Crow Murder.

And that about wraps it up. We managed to drink the bar dry out of draught beer by the end of the night. There is a buzz on Cigar Box Nation about the event, as you might expect. Already plans are being made for next year which hopefully, will be even bigger and better. Things have come a long way in the UK since I discovered the cbg movemnet and started this blog a few years ago. There were literally a handful of UK guys posting on the old Yahoo forum and it was just a pipe dream that we could ever have something like this going in our country. I am truly proud of our guys for pulling all this together and want to give a big thanks to Chickenbone John and Roosterman for all the work they put into organising it.

hot from Boxstock 2011

I feel like I've got a head full of bees, so many thoughts buzzing around. Fresh back from our 3rd UK cigar box guitar annual festival and what a belter it was. Held at The Public in West Bromwich UK. This time I drove down the day before. I've been busy making electronic stuff to take and wanted to set up my little stall before the big day. Some of the other guys usually meet up too and there was an open mic planned in the evening at the Barge and Barrel pub. Wasn't gonna miss that. Lovely sunny day too - perfect.

I was amazed at the level of talent at the open mic. Chickenbone John, who organised all this, kicked off the evening with a couple of numbers then it was pretty much non-stop, high octane cigar box music till midnight. Some of the guys I already knew but also some fresh talent.

Saturday was the big event. An all-day CBG fest with workshops, stalls and some playing. First hour or so was just spent chatting with old and new friends, checking out each other's gear and browsing the stalls. C.B. John had organised a beginners' building workshop. He'd put together a number of cheap, easy build kits so that newcomers could see how a cigar box guitar is constructed, learn some basic skills and have a playable guitar at the end of it. Following that they would have a beginning players' workshop to jump-start their CBG journey. What a brilliant idea.

Meanwhile I was holding a show and tell session and starting it off with my electronic stuff - various mics, circuit bent toys and my pseudo theremins. Seemed to go down well. Lunch time came and went in a flash but during the break, downstairs in the lobby, various performers played for us. Back to the main events in the afternoon we were treated to players workshops with Hollowbelly and Chickenbone John and another open mic session.

The afternoon was wound up with our first AGM. Just enough time to leg it back to the hotel, freshen up, a quick meal then back to the Public for the evenings entertainment in the Theatre. What a treat we were gonna get. An international line-up, headlined by Ben Prestage from the USA. I'm gonna leave it there for today as I'm pretty whacked out. I'll be back with more info in the next day or two.

two weeks to Boxstock - the third UK cigar box guitar fest

It's only two weeks away folks. This is gonna be even better than the last two. Starting with an informal Friday night open mic session in a local pub, then the big day on Saturday. There'll be talks and workshops and lots of like minded folk to get to know. weird and wonderful instruments to see, some to buy. In the evening a gig. Ben Prestage is coming over from the States, Tinqui8 from France and our own Brit-man Hollowbelly will be playing. I'll be there with a few things for sale, might even do the open mic and there's a possibility of a talk on circuit bending and home made mics and amps. So if you want a cracking CBG weekend get your tickets ordered ASAP. Only £25 for all that, I call it a bargain. Follow the link below for more details.

september in cigar box guitar world

I guess it's september in everybody's world but I had to think of a title! What I'm getting at is that summer is nearly over already and in CBG world that means it's not long until Boxfest at Birmingham. If you haven't been to one before you really should try to make it. This is our third year in the UK. Lot's of great stuff going on, workshops, open mic, lot's of like minded folk to chat to and instruments to look at and a cracking gig lined up in th evening. You'll be buzzing for days after. If you want to know more and how to get tickets visit this link. http://www.homegrownmusiccollective.com/page3.htm So I've been busy with my electronic stuff again making a few things to take to the fest. Made three tobacco tin amps (one is on order from a guy who sent me the tin) and a cool amp in a small wooden cigar box. They're based on the LM386 chip in case you wondered. I'm also on with some electret mics. These are tiny components that require a battery to work. You can make contact mics from piezos which are great for some things but the electrets give a wider frequency response and are less prone to feedback (apparently) What would you use them for? Well because they are small you can drop them inside instruments that a piezo would be unsuitable for. e.g. an accordian, flute, bagpipes, or how about a guitar that you can't get to the insides of. I haven't tried them in a practical situation yet but I'm thinking of putting one in the old indian harmonium I just bought. Then I can connect it to fx pedals, amps, mixers etc to get some interesting sounds. All this means still no new cigar box guitars but as I still have a couple of spare ones for sale there's no big motivation to build more just yet and space is getting tight in my attic. I'll post some pics soon. I mentioned the India Harmonium. I've been fancying one for a while but they are pretty expensive. Well I spotted on in a junk/antique shop a few weeks ago. I had to have a look at it and the price was £75. Pretty much a bargain as it is a three reed one with 5 or 6 drones. If you don't know what these things are or sound like check them out on Youtube. They are really cool. You pump them with a bellows thingy at the back with one hand and play the keys with the other. But you can pull some stops out to produce a constant drone in key with your playing. Well after checking it out and hearing it work I decided to be cheeky and ask if they were open to offers. They let me have it for £65. There's some minor damage to the casing and one reed seems to squeal but for that price it's a great buy. Here's a photo of it. Hopefully I can make some music soon with it, and combine it with some CBG playing for something a little different to listen to.

cigar box guitar update August

As you may have noticed my CBG output has been a bit sparse the last few months. Fear not, it's still alive and kicking but in need of a good meal. I'm still heavily into my electronic stuff and I only have so much time to devote to this hobby. I'm about to start a batch of tobacco tin amps after a request from someone to build one into his own tin. So I may as well make a couple more whilst tooled up for it.

The circuit bending stuff has been taking most of my spare time. But the Barnsley CBG workshop gave me a bit of a boost. I guess I had got into a bit of a rut with my CBG playing and was spending more time on 6 string playing. But C.B. John showed us some different tunings which sparked my interest again. It also made me re-think about what I want from a cigar box guitar. My thoughts are split and sometimes contradictory. On the one hand I love the ethos of throwing together a playable instrument from a few bits of reclaimed materials and a cigar box. On the other hand, as I progress with my own music, I am finding I want the CBG to be a little more versatile.

At first I poo-pooed the idea of frets and magnetic pickups, vol controls etc but I'm coming around to the idea of making CBGs a little more sophisticated. I used to think "why not just buy a cheap strat or something" but it's not as clear cut as that now. I really like playing with just 3 strings but want a bit more quality of sound and to be able to play simple chords and fingered licks as opposed to just slide. So I might re-visit some of my own CBGs and upgrade one or two if possible.

So the message is, don't get stuck in a rut with your thinking or playing. Don't be a slave to your own ideals (or anyone elses). Be prepared to move on, change your views, experiment. Life never stands still but if you're not careful you can get held back by your own beliefs when they are no longer fully appropriate. Remember the CBGers number 1 rule "there are no rules". And don't trap yourself in your own rules.

Keep on flying the flag for do it yourself music.

Polish club Barnsley gets cbg'd

Chickenbone John hosted a CBG event at Barnsley at the Polish Club this weekend. Open mic on the Friday night and a players workshop on the Saturday afternoon. And it was free. How good is that, it doesn't get much better? Not a massive turnout but that made it all the better for those of us that went. It was a small friendly crowd, about half locals and half CBGers. John took the stage for the first half playing some cracking blues on his guitars. The second half saw a few of our very own CBG artists, Yellowbelly Flatt, Ant on his cigar box banjo, Soulcatcher and Kev to name the ones I remember. A cool mix of styles. John ended the session with a few more numbers.

Saturday afternoon and John led us through a players workshop. There was a mix of abilities, some beginners and some more advanced but eager to learn players. John gave us a good few hours of his expert time and I'm sure we all took something away to benefit our playing. I particulary liked the G minor tuning he showed us. G,A#,D -try it. It has an almost out of tune ring about it (may just be the restrictions of a cigar box guitar) but a melancholic sound that when I noodled some chords and licks, it reminded me very much of a a Reverand Gary Davis number called Death Hath no Mercy. I saw him playing it on a Stefan Grosman video with a small audience in a sort of studio shack-style setting in the 1960s. It's one of the saddest performance I ever saw. Anyway I came away inspired by the workshop with some new ideas to play with and even sketched out a song this morning based on my chord progressions. I called it Death is a Stealer. Now where did I get that idea from?

Check out Catfish Keith on Youtube, John talked about him. I wasn't aware of him until the workshop but he plays some pretty neat slide guitar. I'm sure you'll like it.