two new CBGs and a new "must have" toy to get

Just finished two of the batch of three cbgs. I've posted some photos of them on my Flickr site. If you want to see them they are here.

http://www.flickr.com/photos/21767997@N05/sets/72157622689976796/

The last one should be finished in a few days. There's a bit more detail going into it including a sink drainer soundhole and a tailpiece made from an old hinge. It's looking cool already.

So what's the toy? It's an Akai E2 Headrush pedal. Just discovered them the other day and decided I have to have one. They are a delay and looping pedal. Designed to work like the old fashioned tape loop of the 60s. Should be fun to play around with. Here's a link to KT Tunstall demoing one.

http://www.youtube.com/watch?v=3SfYS1aryPs

tuning lessons for cigar box guitar

Hi all. just uploaded some lessons to Youtube. Been thinking for a while that you may have built a cbg or maybe bought one and it's gone way out of tune. You've had difficulties getting it to sound right etc. So I thought it would be good to do a few vids for beginners, to get you back on track enjoying your guitars. OK they're a bit rough and ready and I tend to repeat myelf a bit but I did them more or less as first takes, unrehearsed and just as the ideas came into my head. I didn't want to spend too much time, just enough to get the information across. Take a look and if you have any questions, feel free to leave a comment or two. Hope you find them helpful. Check them out on my Youtuibe channel here.

http://www.youtube.com/smojomusic

3 New cigar box guitars on the bench

I've got three new guitars on the bench in various states of completion. First coming off is a lovely small Cuesta Rey box - bright yellow. I've used one of these boxes before and they are really pretty. Mahogany neck and piezo pup. It's strung up already and sounds great. Just a couple of finishing touches to add. Next off the line will be another pretty yellow box - a Partagas. Much bigger than the C.R. with an identical mahogany neck and pup. Just about ready to string it up. Thirdly and coming along nicely is another big box - a white Hoyo. Paler wood for the neck, not sure what it is, but similar to mahogany. I'm adding a few extra refinements to this one. A crackle-finish painted headstock, the nut will be made from an acrylic plastic bathtub sample, and I'm adding a tailpiece made from an old door hinge. It's looking good so far but still a lot of work to do.

I'll post photos shortly and if you ever want to see what I have available, check out my Flickr sets at this link. You can see a gallery of past guitars and amps too. http://www.flickr.com/photos/21767997@N05/

I've added a couple of new vids to youtube too. One of me playing the baccy tin amp and another demo of the mic. You can also check out my bowler hat! It is an acquired taste though and I'm not sure I've acquired it yet. It may be the only time I wear it! I'm also planning to make a few basci instruction videos. starting off with how to set up the bridge for correct intonation then tuning in open E, A, and G. Aimed at people making their first guitars or those who have bought one, lost the original tuning and don't know how to get it back. So keep checking into my Youtube channel for these here. http://www.youtube.com/smojomusic

Thanks for all those who have visited my blog over the last few years and for those who have left comments. I always appreciate a bit of positive feedback.

tobacco tin amp and mic

Thought you might like to see my latest projects - a tobacco tin amplifier (above) and microphone below. The amp has a small internal speaker with an output jack that can connect to a speaker cab, switching off the internal one. There's a gain control which at minimum setting has an almost clean sound but when cranked up has a wicked distortion. Only 1/2 watt but more than loud enough to pee off the wife whilst watching tv. There's an on/off swicth and LED indicator. Runs off a PP3 9 volt battery.

The microphone is a passive device and simply has a 1/4 inch jack plug to connect to an amp. has a slight distortion to it - great as a harmonica mic. I think both these items look real cool and go great with the whole CBG ethos.

tins, suitcases, hats, carboot sales and cbgs

Five things I find hard to resist. There's something I really like about containers in general - particularly boxes and tins. They're just very useful for storing your treasures of one kind or another. Combine the elements of patina from age and maybe an attractive design and I have to have it. The prospect of finding them at knock down prices just adds spice to the recipe. I love hunting around boxes of junk at boot sales and charity shops and seeing what I can find. I have some lovely old tobacco tins whcih I started turning into small battery operated amps. I'll post some photos soon.

Suitcase - it's the old-fashioned brown cases I like. Pre-1970s I guess. Before zips and wheels were fitted. Leather ones are cool but so far I haven't found affordable ones but I do have a number of the hard cardboard type ones. Great for storing my junk in the basement and attic.

What about hats' then? I had to have a trilby didn't I? What self respecting bluesman hasn't got one. Yeah it's a cliche I know but I found one in Amsterdam for 5 Euros and it looked OK on me. That started the hat collection going. So what is my latest find at a boot-sale? A bowler. Yes I know they aren't particularly cool but they certainly aren't a cliche. It just gives me a giggle when I put it on and although I'll never step out of the house with it, you might see it on Youtube one day, accompanied by a CBG.

So what do these things have in common? I guess it's all about mojo. Most modern things don't have it. It comes with age, use and character. Look at packaging of food and goods these days. Plastic trays, polystyrene, cling wrap, etc. Look at what manufacturers used 50 years or more ago. Decorative printed tins, wooden packing cases, glass bottles etc. They just have so much character. It's about individuality, anti-technology, lo-fi, back to basics. That in a nutshell is the cbg ethos too.

more about the UK cbg fest

Two days on and I'm still buzzing about the event. Lot's of ideas rattling around my head. In fact I can't think of much else at present. Everyday subjects seem so mundane and boring when there's so much good stuff to recall, new builds to plan, newfound CBG friends to catch up with.

I have to say a big thanks again to Chickenbone John who organised the whole thing. He gave us a very entertaining and informative day and is a nice bloke too. Also thanks to his helpers who not only provided a band to play against but kept us well supplied with food and drinks. John explained the basics of making a cbg for those new to the subject explaining that in it's simplest form, it's just a box with a stick attached! He took us through the basics of playing and we all jammed along to a very noisy 'Walking Blues'.

One or two people talked about their specialities - pick-up winding for example, which is something I always intended to have a go at but have so far shyed away from. One of the guys has mastered the art and produces beautiful hand wired three string magnetic pick-ups. He generously donated one for the evening raffle. There was also a cbg, stomp box, hand made bottle-necks, and a few other items. My buddy Mark and I both agreed the pup was THE prize we were both longing for and bought a strip of tickets each. I couldn't believe my luck when they drew the prizes - I won it. After a great cbg day and evening this was the absolute icing on the cake for me. I intend to build a new guitar to do justice to this beautiful object. Got some ideas already but need to take my time and get every detail just right for my best guitar yet. It'll be a keeper of course.

If you're interested in getting your mits on one of these pick-ups, then keep looking in here. I'll be posting details of the makers name and email address when he's ready, he's just a bit busy at present to take orders. Hopefully I'll have my guitar made and make a short vid to show you. I'll take a photo of the pup and post that when I get time. Need to dip my head in a bucket of cold water now.

First UK cigar box guitar fest

Yes folks it's happened at last. My dream of a UK cigar box festival finally came to reality thanks to Chickenbone John who hosted the event at the Tower of Song Blues Club Birmingham . He did a sterling job and gave us great day of blues and cigar box fun. A relatively small but enthusiastic gathering of about 25 attended for a day of pure cbg indulgence. I met a great bunch of folk and got the chance to examine their amazing creations. I'm still buzzing from the excitment and trying trying to take it all in. So much to see and people to meet. Cigar Box Nation forum has been the vehicle that initially brought us together when I started a UK discussion group in an attempt to identify other CBGers in the UK. Just to say it was a fantastic day with playing and building workshops, a 'show and tell' session on guitars, pickup winding, building small amps and open mike session for those with enough confidence. The evening gig featured Chickenbone John and his resident house band, open mike again and to top it off, the amazing Hollowbelly. I'll be telling you more in later posts. Here's some photos of the incredible guitars.

some cigar box guitar photos

Photos of my latest batch in the last post. The brown wooden one is the loudest and best tone unplugged CBG I've made yet. It was a quickie - no electrics, but the box has a thin but solid wood lid (not ply) and I think that is why it's so loud.

CBG lesson learnt

I started two new CBGs the other day. I like to try something new each time so I designed a headstock that was slightly larger to allow the machine heads to be positioned so that the strings would be parallel and in line with the slots in the nut. I also decided to offset it to give a steeper angle for the strings to cross the nut and hopefully avoid having to use some sort of string trees to keep the strings in place on the nut (which I normally have to do). Well it was probably a mistake because it took about 3 or 4 times longer to make the neck than usual. It won't sound any better and I'm not sure it will look any better (just different). I soon regretted this little experiment and the words of my CBG buddy came ringing back in my head. He advocates the KISS principle KEEP IT SIMPLE, STUPID.

It's all too easy to get carried away with new ideas and our tendency to want to improve things all the time. Sometimes though, it's better to stay with the tried and true. Innovation is healthy and desirable and you have to try new ideas to see if you can improve on old methods, but you have to find a balance between the benefit you might get and the extra work or hassle to get it. In this case I decided my CBGs will embrace the KISS principle in future. I love building these little instruments but I don't want a headache in the process and I don't want a project to go on for too long. I like my CBGs to be pretty but a little rough around the edges, so too many refinements work against my basic principles. Lesson learnt (I think)!

To offset the frustration of making these two complex necks I decided to try knock off a couple of real quickies. Back to my simple straight neck/headstock design I started two more necks. I have a nice varnished wooden Gran Corona box so I used that on one neck and ploughed ahead to complete a simple, no frills, no electrics guitar. I got it finished in about 4 hours and you know what. I think it's lovely and i got such a great buzz from creating a guitar in sucj short time. I'll post some photos soon.

Having

glamour photos of Miss Stella

Here she is.

new love

I have a new lady in my life that I've fallen in love with. She's was born in Chicago about 50 years ago but still a good looker. Heck I'm no Brad Pitt myself and at my time of life, I prefer a lady with some maturity. She's been around and I have to admit, when she was younger, she was cheap and available to any guy who had a few dollars to spare. She's on the small side with a short thick neck (doesn't sound all that attractive huh?) but her body is still in good shape apart from a few scars. She's not all that easy to please though, you have take her as you find her and not expect too much. She was a bit highly strung and smelled like an old ash tray when I first met her but I've worked my magic, given her a good rub down and she's starting to smell better, unwind and respond to my fingers. Her name - Stella. If you're reading this I guess you'll like her too. Next time I'll show you a photo of my new love.

finding cigar boxes

For us Brits, it's hard to source cigar boxes. Most builders here find it almost impossible to find them, smoking cigars is a minority occupation. I must say though that I have done pretty well finding plenty so far. The main source is from old fashioned, small tobacconists shops who specialise in cigars and pipe tobaccos. I have found them to be very willing to let me have empties at very reasonable prices. I usually pay no more than £1 per box.

I had a good experience this weekend when I found one of these places (location - top secret). When I entered the shop I could see a small storeroom with a pile of empties on the floor. I thought I'd pre-empt the deal by stating what I usually pay. He showed me the boxes and I chose 4 decent ones (couldn't carry any more). Now the crunch was coming.

"So they usually charge you £1 each", he said. I thought he was going to sting me for more. "My boss usually gives them away and just asks for small donation to the charity box", he said.

I willingly gave him the donation and came away with four bargain-priced boxes and a warm glow from the generosity of the man. Nice to know there is still some around in these hard times.

two new CBGs finished

Just finished the two new ones. Top is the Monte. I've used the tangs of a fork, cut off from it's handle and bent back through 180 degrees as a string anchor. Works well. Neck has had white paint rubbed into the grain to give it a limed oak effect. Frets marks were cut in and filled with paint then red paint rubbed into the main fret positions. I didn't like the smoking warning on the label so rubbed most of it off with wire wool then added my own smojo stamp three times to make it more interesting. Sound holesurrounds are brass grommets. It's tuned to low open E. Sounds and plays great.

Bottom one is a Romeo Y Juliet. Similar treatment on the neck but I stamped my thumbprint in green paint on the main fret psotiotions. I've used a piece of wire mesh glued inside the soundhole which is slighty bigger than I usually make them. It has a fantastic acoustic volume for a small box. Maybe the bigger hole helps. This one is tuned to open A. They both have piezo pups and sound great.

two more cigar box guitars in the pipeline

Been working on two new ones today. A nice bright yellow Monte Christo and a white Romeo Y Juliet boxes. Mahogany necks. I'm going to rub white paint into the grain of the necks to give them some character and charm. Paint the headstock with a sympathetic colour, might use a crackle finish. Not sure about the soundholes yet, might use brass grommets for the Monte but something else on the other one. I liked the 'key' bridge on the last one so might repeat that idea on one of them. I need to build up some stock fairly quickly so I'm not going to drag these out. Stay tuned in for the finished items in a week or so.

When these are done I want to build a real nasty 'rat rod' CBG. Not sure at all how it will turn out but thinking along the lines of rusty fittings and a well worn box. I'm going to have to experiment with various ageing processes. Should be a fun exercise.

new Don Tomas cigar box guitar

Just dropping in to post a picture or two of my latest build. I'm using an old door key for the saddle on the bridge - works well. Sink drainer for sound hole and solid mahogany neck cut down from some old shelves. Nice warm tone from the smallish box and pretty good volume. I'm pleased with this one but it's been claimed already!

What now in smojo CBG world?

I haven't been doing much CBG stuff for a few weeks due to other commitments so I need to get busy again. Had an afternoon on the new Don Thomas today, should be finished in about a week. I'm figuring on using an old key for the bridge just for novelty. With the Birmingham UK CBG fest coming up in October, I'm hoping to get quite a few made before then. I even had to let one of my 'keepers' go last week so my stock is getting pretty low.

Mark C. - a good buddy of mine has suddenly got busy with his CBG stuff. He made a cracking guitar a while ago using a very old and beautiful box called Rough Havanas and has just sold it to one of the band members of The Paperboys. You can see them playing it on his Youtube vid here. http://www.youtube.com/user/roughguitars

UK cigar box guitar meet

Exciting news for cigar box guitar fans in the UK! Plans are under way for a one day event at Birmingham later this year. It's hoped to include a day of workshops for players and builders followed by a Hollowbelly gig in the evening. Builders will be bringing some of their CBGs for swap/sale etc. The event is hosted by Chickenbone John to be held at the the Crossroads Blues Club on Sat 3rd October. If you are interested please contact me so I can pass on your details to John. Full details haven't been finalised yet but I'll keep you posted on it. If you are into CBGs then it looks like it's gonna be a gig not to miss.

cigar box guitar documentary

Shane Speal announced - On Tuesday night at 11:59pm, Alabama Public Television will re-play "Songs Inside the Box," the Max Shores cigar box guitar documentary. It will be shown on no less than NINE tv stations throughout the state. The documentary is an hour long and covers everything from how-to-build & play CBGs to the magical music these things inspire. Most people who have seen it give the EXACTLY SAME REACTION: "I want to build one of these, myself."

Can't get it in the UK but all you guys out there in the USA should tune in to this. It should be fantastic.

New cigar box guitars

Just started two new builds. One is going to be my first 4 stringer and it's going to have frets which will be a first as well. The box for it is a beautiful Indian Tabac Cigar Co. This one's going to be a keeper so I'm going to town on it a bit. I've rounded the back of neck for comfort and experimenting with creating a cracked paint finish to cover it with. I will definitley add a volume pot and might invest in a magnetic coil pup (another first). It's good to break the mould and try something different.

The other box will be for sale and is a three stringer. Mahogany neck again (I got several solid shelves from the local Freecycle). I've cut grooves for fret markers and filled them with white undercoat. The marker dots have been routed in and also filled with white paint. Not sure what else I'll put on it yet, maybe a drain cover for soundhole or maybe something completely different. I'm in the mood for innovation.

Had a go at making a stomp box too. The sound from the piezo I fitted was disappointing though - too harsh, so i need to experiment some more. Cushioning with a piece of carpet on top improves it and so does using a shoeless foot for stomping.

Nice to see we're getting a few Brits over on Cigar Box Nation. I started a discussion just for us, so if you're a Brit and into CBGs why not sign up and meet the other guys.

http://www.cigarboxnation.com/group/thebritsarecoming

cigar box guitar soundholes

Had an interesting question from a reader and after spending a while replying, thought it would make a good post for others. Norm asked:

I've cut the neck for a 6 string acoustic CBG to learn on. Have a beautiful piece of leopard wood for the fret board. Trying to select the box. Going to go with kind of a plain Jane so I won't feel bad about cutting a sound hole in the middle. Since some of the art work on the CB's I have picked up is so beautiful I can't bring myself to put a big hole through it!!!

My question is this. I'm going with a 25 inch scale, how large of a diameter sound hole should I cut and how far from the bridge do you think I should place it. I'd like to get the biggest sound as possible. Would you suggest reinforcing the inside of the box? I am building with the neck and tailpiece as one unit going all the way through the box.... hmmm that right there would limit placement of a central sound hole. What would you suggest with that in mine? Maybe two smaller sound holes on each side of the neck/tail piece? If so what size diameter or radius?

Answer

There's been a lot of debate on CBG forums about soundhole sizes. I'm not an expert luthier, I reckon you probably know more than me on regular guitar building. I tend to like to keep things fairly quick and simple in the original spirit of CBGs being rough home-made instruments. I do like to know the science etc behind things though but don't actually apply it to my builds. Here's a link to one article http://hal9000.ps.uci.edu/Weber%20H90%20Physics%20Paper.pdf just Google "helmholtz resonator" for more info.

As far as I understand, soundhole size has nothing to do with the scale length but is relative to the volume of air inside the box. I'm sure there are online calculators to give optimum sizes if you can work out the internal volume of your box. Theory suggests that size seems to affect the frequencies more than actual acoustic loudness - larger holes better treble but less bass. Some CBGers don't bother with holes at all and some put one in each corner. It seems that it doesn't make all that much difference what you do. I guess that's becuase the poor acoustic properties of a cigar box can't be altered enough to actually hear a big difference in audio quality. It's more a question of visual aesthetics where you place them.

My personal slant is usually to put one about an inch diameter in one corner. Sometimes two or three smaller ones. (I think the optimum worked out by someone was surprisingly small - only about 3/8 inch for the average size box). I built one with it in the centre but hid the neck by fitting a sink drain cover over it. Very little 'hole area' when you add it together but it sounds great and is one of my favourites. I also fit piezo pickups to all my guitars so if I want some volume and variety of tone I just run it through an amp.

I reinforce the box by simply running a bead of wood glue (PVA) around the inside of the corners. Some people use wooden beadings glued for extra strength. I think soundboard bracing would be overkill.

Theories seem to go right out the window with CBGs. Standard acoustic guitar builders consider the type and thickness of wood for the soundboard, type of internal bracing etc. Doesn't seem to make much difference to a cbg. Example I built one with a very thick lid. I thought it would sound dead but it has the best sustain of them all. In fact it's the thinner box lids that seem to be a little dead, I would have thought the opposite though perhaps they give more volume. A pal built one out of an all-cardboard box and it sounded great.

My advice would be not to get too caught up in all the technicalities or striving for the ulitmate sounding CBG. Just have fun, experiment, try a different approach each time you build one and see what works. You will be surprised what does. Every one I've built has sounded and felt different, some better than others but unless I use the exact same box and neck wood, I doubt I could repeat any one exactly but that's one of the things I like about it all - variety and the element of surprise. Don't get drawn into being too precious about them. It's a guitar made out of a cigar box after all! You're not competing with a Martin or a Gibson. Be guided by your imagination and whims and just enjoy the whole creative aspect.

Slack Key music

My last post on the Balalaika drew a very interesting comment from 'Wood Finery' about 'Slack Key music'. I love to go off in different musical directions so had to find out more. He sent me a link explaining it, so here's the starting point if you want to find out too.

http://en.wikipedia.org/wiki/Slack-key_guitar

So from there I just had to hear some and found this on Youtube

http://www.youtube.com/watch?v=D6jZ8O7oAU8&feature=PlayList&p=A97B34248F91C95A&index=3

and this sweet little lady playing her own composition

http://www.youtube.com/watch?v=9VsMxS5u6lM&feature=PlayList&p=A97B34248F91C95A&index=2

So how does this possibly tie in with CBGs? There are several connections. Slack Key seems to be of Hawaiian origin and is basically played with a detuned guitar to an open chord - typically open G or D - same popular tunings that blues guitarists use for bottleneck or slide work. Same tunings as we tend to use for CBGs. The two styles, blues and hawaiian music, may seem miles apart in musical content but if you read up on the history of blues you'll find the connection. At the time that blues was gaining popularity in the early 1900's in the USA, so was Hawaiian music. Many blues players borrowed the styles of Hawaiian players, detuning guitars to open chords but playing them in their own bluesy styles. One of the main differences though, seems to be the use of a slide in blues (often attributed to the story of Charlie Paton hearing a guy playing slide with a knife on a railway station) whereas the Slack Key music I've seen on Youtube so far seems to be fingerstyle. I have also seen Hawaiian slide playing but not referred to as 'Slack Key'.

The small samples I've heard of Slack Key so far are beautiful and I shall be spending some time exploring it more. Many thanks to 'Wood Finery' for bringing this to my attention.

latest cigar box guitar

Here's a piccy of one of my latest cigarbox guitars. It's tuned to low open E. Neck is mahogany and it has a piezo pup. Bridge and nut are threaded bolts. Strap is hand made from some webbing with strong hessian twine to anchor each end.

I've had a go at a stompbox using a cool looking French butter box. I attached a piezo disk and amped it up but it sounded rubbish. Just a plain tapping sound. I want a deeper thump but as yet don't know how to get it.

balalaika

I just bought this at a charity shop for about £8 ($12) for my collection of cool instruments. It's a Russian folk instrument called a balalaika . I thought you might find it interesting. This one's not top quality and has some water damage to the bottom right but it's a nice little thing. I was interested to notice how much it has in common with my cbgs. Three strings, small soundhole, simple moveable bridge, no truss rod, string anchorage over the bottom.


Apparently it is normally tuned to EEA - the two Es in the same octave. At the moment it's only got one steel string but even so I've had a lot of fun with it. The string is under very low tension so I can get some really big note bends. I've tried it with a bottleneck too. I can get some really buesy sounds out of it, though that's not how they are normally played.

february cbg update

Two new cbgs on the go, should be finished soon. A Ramon Allones green box and a Robaina white box, both with mahogany necks made from some solid shelves I acquired on Freecycle. There's some good stuff to be had from that site. The other day I got a Realistic megafone speaker. It's one of those metal horn shaped things for outdoor use. I'm thinking about building it into a rough old wooden box with one of my Smokey type amp modules as a sort of busker's amp.

I've finished the cigar box amp booklet (I think) and the first copy has gone out to a friend to test drive it. He's an electronics novice so he will be able to tell me if there's any tweaks needed. Once I'm happy with it, I'll put it up for sale for about a fiver (£££). I'll post details on it for anyone interested.

I bought an old 1970's USA license plate off Ebay. Mainly because I think they are cool items and partly because I have ideas of using it in some sort of CBG related item. I'm thinking of a stomp box using it as the footplate. I'm also trying to figure how I can add some beer bottle tops to it to rattle like a hi-hat when stomped.

Saw Seasick Steve live at Leeds alst week. Absolutely love that guy. He played a couple of cbgs in his act as well as his 'Trance Wonder' beat up old solid body electric. I can only say that if you get the chance to see him live - go go go.

The Cigar Box Nation site continues to get better. There are so many fantastic creations to be seen in the photos file and lots of advice in the classroom section. If you haven't had a peek at it yet it's well worth it.

I've been looking at steel resonator guitars and whipped myself into a frenzy over one. It's made by Republic Guitars and is called the 'Resolian'. I have a cheap wooden bodied reso which I like a lot. This type of guitar is very loud and has a lovely bluesy sound and just a cool looking a cbg. I'm hoping to sell a few more cbgs and some of my nondescript standard guitars to fund the reso.

what now

I've just about finished the GPO tin amp. It's such a cool little bugger - I love it. Mostly because it's a little beauty of an old tin, secondly it turned out better than I expected. It's the first amp I've made from scratch using the diagrams on the beavis audio site. Basically, it's like the guts of a Smokey amp. The tin lid is working great as a gain control. Whacking it up full gives some wicked distortion. I fitted a jack socket to allow it to be connected to a speaker cab but as I haven't got one I can't try it through a nice big speaker yet. I'm hoping to get time to record a short vid of it on Youtube soon.

Some new ideas I'd like to do this year.

Make a speaker cab from a rough old wooden box that had French butter in originally. Or it might become one of those box drums that you sit on and drum with your hands.

Make a solid electric dulcimer. There's a brilliant clip on Youtube of someone playing one. http://uk.youtube.com/watch?v=L-Zt2MwrIwA

Make some more Smokey amp units to fit in cool looking containers. I've got some nice old tobacco tins.

Someone gave me a massive voltmeter that came out of an electric sub station. I might put an amp in that and try to get the needle to move when it's playing. That'll be a challenge.

Have a go at winding my own magnetic pick-ups. That should keep me happy for a while.

Now don't laugh but I've just been given an old Shackleton high seat chair. Remember those corny ads in the 1970s of dear old ladies looking at the catalogs and ordering these tall-legged armchairs? Well I wanted something comfy and free to sit on when I'm working in the cellar and that fitted the bill. You know, sometimes something is so unfashionable and uncool that it's cool for that reason alone. Well this is so uncool that it goes beyond that and becomes uncool again. Ha! It's beige too - yikes. All I need now is a zimmer frame! Actually thinking about it, I might look out for one. I could cut it up and make hundreds of slides. I might pimp up the chair. Maybe turn it into a CBG players version of Jimmy Saville's multi-purpose chair. I bet there's a cable tv channel on called 'pimp that chair'. I'm heading over to Youtube now - bound to be something on there. :)

Happy New Year

Happy New Year

A post to say Happy New Year to you all and thanks for visiting this site. I hope it’s given you some pleasure. I’ve enjoyed writing it and getting the occasional comment back from some of you. It has brought some new friendships and rekindled one or two old ones. Nowadays, more than any other time in my life, I am appreciating that gift of friendship. I don’t want this to sound like some sort of sermon or lecture but because I consider you all to be my friends to some degree or other, I’d like to offer you a little comfort if possible.

You know, there’s a lot of craziness going on in the world today, the likes of which we haven’t seen before. It can make us feel quite insecure and wonder where the hell it’s leading to. The trouble is, there’s virtually nothing we can do to avoid it or improve it. We can’t make changes on a global or national scale, we have to leave that to the madmen who are in charge. That’s the scary bit, and feeling powerless. But we can change our own little worlds. We do have the power to do that to some extent. So that’s my bit of advice to you all. We can try to make our immediate environment a place where we can feel more at ease. We can offer some comfort and support to those we meet during our daily lives.

I am constantly puzzled as to why anyone should want suffering of any kind to continue in the world. Why would anyone choose war, pain, fear and anguish over peace, love, comfort and happiness? We can have the latter just as easy as we can have the former. I had one of my moments of inspiration the other day. I was thinking about all the badness that goes on in the world and trying to understand where it comes from. I’d say it mostly comes from greed and selfishness. That’s why countries fight each other, why arguments start, why people steal from others. Then I tried to think of the solution. That’s when it came to me. It’s so simple and here it is. Just be nice. How difficult is that? We all have the choice of being nasty or nice. Nobody can force us to be mean, lying, violent or greedy. If everyone just behaved in the way that they would like others to treat them, we’d have it cracked in no time. There are enough resources in the world for everyone to have a decent life, if governments and world leaders co-operated and looked after each other.

OK I’m deluded if I think I’ve solved the world’s problems here but it really could be that simple if only everyone could embrace the principle. That’s the problem though. For some reason, many people seem incapable. Well here’s my slant on what we can do. Firstly, try to embrace those nice principles ourselves as much as we can. There are many good people out there who already do. In fact I believe there are more forces for good than bad but unfortunately, many of the people in positions of power don’t practise it enough. We can always do a bit more though can’t we.

Secondly, have a little courage and empower yourself – make your personal world one you can enjoy. Don’t be afraid to be yourself, follow your dreams, talk to a stranger, put a coin in a busker’s hat, sing out loud, say sorry when you know you’re wrong. Take time to visit an old friend or make new ones, take up a new hobby or learn a new skill, grow some fruit or flowers, or just sit quietly and listen to the birds sing and feel the sun on your face. Don’t be afraid to try something new because you think you’ll be no good at it or someone will disapprove. I can’t remember which rock star said ‘no-one gets out of here alive’ but it’s a great line and also true. The point I’m making is - it’s these small things that add quality to our lives and to those of others. The warmongers and governments can’t take those away from us. This is the world we can create for ourselves whenever we wish to.

Sorry for the rant. It started out as a short post to wish you the best for the new year but I got carried away. Take care, have fun.

Merry Christmas

Just a short post to say a Merry Christmas to everyone. Thanks for visiting my blog. I'm still going strong with this stuff. The new cigarbox nation website that Shane Speal set up is brilliant. Go find it. Have a great holiday. Best wishes

David (aka smojo)

some cigar box guitar news

There are a few things to tell you about today. I've had a number of people asking about how to build a c.b. amp. I've been putting a small booklet together for a while now and just about finished it. It's going to be available at a very reasonable price. I need to do some work on a new site first before I offer it out. The site is called Folksy and it's a UK site catering for all manner of craft items. It doesn't have an image that fits well with CBGs but it will allow me to put items up for sale and take payment via Paypal. I'll post here when it's up.

I'm having a go at selling a guitar on Ebay. I've gone off Ebay recently as they seem to have got greedy and the hefty fees they take when you sell along with Paypal fees, eats into your sales. I tried a couple of CBGs there before and although there were plenty of watchers, they didn't sell. I noticed there have been a few UK CBGs sold there lately, so it might be a good time to try again. I've put my Quality Street tin guitar on. It has a nice natural reverb sound to it. It has the usual piezo pickup so you can amp it up. I've started the price at £35 which is about half of what I normally sell CBGs for so if you're interested, have a look here and you might grab yourself a nice little bargain. http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&ssPageName=STRK:MESELX:IT&item=260331120035
Sorry to say this though - I am only shipping to the UK at present. The complications, cost and risks of shipping abroad are still too much for my brain to cope with at present. I will get my head around it one day but too much to think about at the moment.

I have a few unfinished CBG projects that you have seen on here in the past. I really need to knuckle down and get them done. I seem to have difficulty in focussing my attention on them for some reason. Too many 'irons in the fire' is my problem but it niggles me that I have all these half-finished things. They'll all be really cool when I have them made so I'm going to concentrate on them this winter. I've started work again on the GPO tin amplifier. The screw-lid-used-as-a-volume control idea has been the stumbling block but I think I have it sussed now. I also restarted the big case that will hold two CBGs and a built-in amp. Lot's to do on that yet though.

Finally I just found out Shane Speal has set up a new Myspace/Facebook type of site called Cigarbox Nation. Had a brief look and it looks really cool. Lots of stuff to help the CBG builders and players. You may know Shane as the self proclaimed 'King of the Cigarbox Guitar' who set up the Yahoo CBG Forum some years ago. He made a sudden exit from the CBG scene earlier this year due to various pressures but seems to have bounced back now.

more cigar box guitar basics - slide playing

This is aimed at beginners who may have never played slide guitar or a three-stringed CBG. Now you have your guitar tuned up correctly you need to get the feel of playing slide.

It's amazing how many beginners think you have to press the strings down onto the fretboard with the slide. No no no, think about it. The slide is taking the place of the fret wires. The pitch or note played on a string gets higher as it gets shorter. The normal fret wires act in the same way as the nut at the top of the neck. They create a solid point on the string, along with the bridge, to allow the string to vibrate. The slide is simply a movable nut allowing you to shorten the string length in variable degrees rather than fixed ones like the fretwires. You only need to put enough pressure on the string to get a clear note when plucked. You also need to place the slide smack over the fret mark - not between frets or on the dots.

So first practise doing that on just the top (first) string. I prefer the slide on my little (pinky) finger as it leaves the best three fingers free. If you want to play slide on a conventional guitar, you'll appreciate having them free for occasional fretted notes. So just try placing the slide over the third fret position on the first string and pluck it. Does it rattle? Not enough pressure, put slightly more on until it rings out clear.

The most important thing you need to develop is hitting the note accurately when sliding up or down to it. You can only tell by using your ears. Unless you are tone-deaf you will know when it's right. So try putting your slide over the third fret, pluck the string and while it's still ringing, slide smoothly up to the fifth fret. Does it sound right? Yep - you just learned your first lick. Now try adding some vibrato when you reach the fifth fret. Using movement in the wrist, simply 'wobble' the slide back and forth slightly above and below the fret position. That sounds much better doesn't it. Try these exercises, sliding from frets 2-3, 3-5, 5-7, 7-10, 10-12 then try them in reverse. Don't forget to practise the vibrato on the targeted frets.

More tips to follow soon.

some cigar box guitar basics - tuning

I Just thought it was time to go back to a few basics. I've probably said these things before in older posts but it's worth mentioning again for any newbie CBGers. All my guitars so far, have been made specifically for slide playing so they don't have fretwires. They just have markings as a guide, so all these comments relate specifiaclly to slide guitars and playing them.

First let's look at tuning. The bridges on most of my guitars are 'floating'. In other words they aren't glued or fixed to the body. That allows them to have fine adjustments made to the 'intonation', which is the first thing we need to check. Play a note on an open string (I usually start with the 1st). Listen to it carefully then place your slide directly over the 12th fret position and play that string again. It should be exactly an octave above the open note. You'll find it easier to get this accurate if you use a narrow metal rod such as the shaft of a screwdriver. If it's not correct, then move the bridge back or forward slightly until it is. De-tensioning the strings a little will take pressure off it and make it easier to move. If you have to change the strings, it's easier if you do one at a time. That way the bridge will stay where it is and avoid you having to do this each time.

Now to tune up - I normally tune to an open chord such as E, A or D. You can't change the tunings very far by winding the machine heads up or down so if it's currently in low open E and you want it in A, you need lighter strings. You need to make sure the tension on them is right. So how do you know what to use, this is how I do it and it works well. Think about standard tunings EADGBE. Now think about the popular open D tuning on a six-string - DADF#AD. Now if I wanted the guitar in low open E and only have three strings I would tune it to (low)EBE. Look at the standard tuning on the bottom three strings - its E(low)AD. So it makes sense to me that if I use the 6th, 5th and 4th strings from a standard set (I usually use 12s for CBGs), the tensions are going to about be right to give me my low open E chord. Tune the 6th as standard to E and the 5th and 4th can comfortably be tensioned up two semi tones to give me the B and higher E.

So using this principle I would use the 5th 4th and 3rd strings (ADG) from a 12 guage set to give me an open A which would be AEA. I just need to tune up two semi tones on the 4th(D) and 3rd(G) to get me there. This tuning up on some strings is the main reason I make my guitars with a short scale. Using standard strings on a short scale guitar means they need slightly lower tension to put them in true concert pitch, so that gives me some scope for over tensioning them slightly to get my open chords.

Lastly, a word about the necks. If you were buying a standard guitar, one of your main priorities would be making sure the neck was dead straight. These CBGs don't have anything as sophisticated as struss rods and so you will see there is often a substantial bend in the necks. Also that the action is incredibly high. This is perfectly fine for slide playing, in fact it's an advantage so don't be concerned about it. I use hard woods such as oak, mahogany, beech etc so there is no danger of them snapping under normal use.

Hope you found this helpful. Next post will be slide playing basics.